Biography

Rachel Gregor (b. 1990) composes layered, narrative figurative work that blends observation, fantasy, art history, and folklore.  Working primarily in gouache and oil paint, Gregor’s mark making has a fleeting sense of urgency combined with control and restraint.  This gives her subjects a sense of being in an ephemeral state while also maintaining physicality and naturalism.  Gregor’s earth tone palettes clash with alien green and neon oranges, while acidic ink washes and bright undertones illuminate the over-painting.  The constant shift of brightness within her work suggests an uncanny light-from-within.  Shadows misalign with multiple light sources, alluding to an ever changing sense of time and space that becomes other-wordly.

Her subjects are often isolated within matte-black paint, landscapes that are blocked off with obstructing branches, and windows that open to inescapable voids.  Gregor constructs her environments as if they were a black box production.  Confrontational figures occupy a stage-like framing, allowing themselves to be carefully observed as they hint at what is behind the scenes with cryptic gestures and forlorn, thousand yard stares.

Rachel Gregor lives and works in Kansas City, MO. She graduated from the Kansas City Art Institute in 2012 and has studied abroad at Studio Art Centers International in Florence, Italy. She was born and raised in Medina, MN.  Botanical motifs are a common theme throughout Gregor’s visual lexicon, a nod to her upbringing of her family owning their own horticulture nursery and agricultural farm.

Gregor’s inaugural solo exhibition with Hashimoto Contemporary was in 2023, her work has been exhibited nationally and internationally with solo shows in New York, Los Angeles, and Zürich, Switzerland, and group exhibition participation nationwide. Her work has been featured in print publications such as New American Paintings (issue #161) Create Magazine (issue #10, issue #25) and has been interviewed by Juxtapoz (Winter 2025) as well as online at BOOOOOOOM (03/05/2018) the Jealous Curator (1/11/2021).

Works
  • framed still life painting of a gourd with birds and flowers
    Still Life with November Pumpkin, April Daffodils, 2025
  • framed still Life painting of a shelf with flowers and a bird
    Studio Shelf Still Life, 2025
  • framed still life painting of a window sill with plants and birds
    Studio Window with Honey, 2025
  • Rachel Gregor, Babes in the Wood, Scene I, 2024
    Babes in the Wood, Scene I, 2024
  • framed artwork of painting sketch of two nude girls walking through the woods
    Babes in the Wood, Scene II, 2024
  • framed artwork of painting sketch of two nude girls, one bleeding, on the forest floor
    Babes in the Wood, Scene III, 2024
  • nude girl seated on top of a picnic table next two another nude girl sitting on an accompanying bench
    Bright Summer's Day (Don't You Remember), 2024
  • painted sketch of a pink bust scultpure
    Bust Study, Pink, 2024
  • painting sketch of a nude woman standing against a tree
    Figure Study for Cruel Mother, 2024
  • framed artwork of four women in dark water up to their breasts
    Four Bathers, 2024
  • two nude girls walking through the woods
    Lost In A Wood (They Strayed), 2024
  • two nude girls in the first, one laying on the ground bleeding, the other seated next to her
    Night Comes (They Sobbed & They Sighed), 2024
  • a large dog with its paws on the shoulders of a kneeling nude girl. The dog and girl are in the forest
    Tam Lyn, 2024
  • painting sketch of a large dog with its paws on the shoulders of a kneeling nude girl. The dog and girl are in the forest
    Tam Lyn Composition Study, 2024
  • framed artwork of three nude girls, waist deep in dark water
    Three Bathers, 2024
  • Painting of three red bricks on the ground surrounded by some weeds and fallen leaves next to a wooden fence
    Backyard Refuse, Bricks, 2023
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