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Marbie: Good Love is Hard to Find

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  • Marbie: Good Love Is Hard To Find

    On view at Hashimoto Contemporary SF: July 8th - August 5th
    • painting of two people holding each other on a pink background
      Marbie, HOT LOVER, 2023
    • painting of a figure with red orange pants seated on a beige ground with her feet in the air, a green wall and a white minute behind her on a clear night
      Marbie, MY BELOVED, 2023
    • one figure with red hair stands behind a figure with black hair and a green shirt, behind them a mustard wall and a window showing blue skies and a white sun
      Marbie, HOME WITH YOU, 2023
    • a painting of a figure in blue pants, green shirt, white pointed boots with black hair stands on a black road with greed grass, a beige background behind her.
      Marbie, HERE I AM, 2023
    • a painting of blue hues depicting a seated figure, her hand to her heart seated on a grey-blue bed, the night sky in her window, a white moon in the corner.
      Marbie, HEARTACHE, 2023
    • A painting of two figures standing, facing each other with their sides to us. One figure on the right lifts up the other, a blue skye behind them, their feet in white and grey boots planted on the ground
      Marbie, ANGELS AT PLAY, 2023
    • a painting of a figure with peach colored pants and a blue top walks across green grass, her arms swaying, on a dark night. The white moon shines in the left upper corner.
      Marbie, RUNNING FROM IT, 2023
    • a painting of a figure on a dirt trail next to a river. The figure faces us, stands on one leg, her arms stretched over her head. A blue sky background behind her, the white moon is in the upper left corner.
      Marbie, WHAT A DAY, 2023
    • Two figures lay next to each other in bed, their legs and arms twisted around each other in a loving embrace. One wears a red and peach top and green pants, the other a purple top with blue pants. Their skin is painted yellow
      Marbie, IN BED, 2023
    • a painting of a figure laying down on her back, resting against a yellow pillow, her arm against her right side. It's night time, and she rests on a brown ground, the black night sky behind her, a white moon in the upper right corner.
      Marbie, THINKING BOUT YOU, 2023
    • a painting of a figure knealing on the blue ground, her bum (clad in pink and red pants) in the air, right arm stretched out in front of her and left arm raised to the black sky behind her.
      Marbie, TO THE MOON, 2023
    • a painting of a figure standing with her back to us, right foot in her white boot planted towards us, her right hand extended towards the right side of the canvas. Her left shoulder is facing the edge of a dark balcony, looking out to the black night sky with a white moon. On the left, a red squiggly curtain.
      Marbie, THE BALCONY, 2023
    • A paper collage of two figures standing, holding each other--one embraces the other with her left arm holding one side and right leg holding the other, her brown hands touching each other on the other figure's back. Both figures are dressed colofully, one wearing oragne and red pants, the other wearing forest and mint green pants.
      Marbie, AT LAST, 2023
    • Two figures stand facing each other, one facing us the other with her back to us. The knealing figure, her head turned to us, holds the other figure's bum, the figure turned away from us holds the knealing figure's arm.
      Marbie, AT UR FEET, 2023
    • two figures made in paper stand back to back, their hands entwined with one another. They're wearing one brown and one black boot. The figure on the right wears yellow pants and a purple top, the figure on the left wears green and blue pants and a red and orange top.
      Marbie, BACK TO BACK, 2023
    • A paper depiction of two figures: one is smaller, green pants pink search blue hair yellow skin; one is larger: purple pants, black boots, red and orange shirt, green hair, blue skin. The larger one embraces the smaller one from behind, both face the left side of the composition from the viewer's POV.
      Marbie, BEHIND, 2023
    • One figure knealing in front of another. The kneeling figure places her hands on the other's knees, the seated figure facing us places her hands on her hair, fingers in her blue hair.
      Marbie, BLOWN AWAY, 2023
    • a figure walks across the frame of the collage, both arms behind her, right leg near the bottom right corner, left leg near the bottom left, flicking out her black boot.
      Marbie, DANCE FLOOR, 2023
    • a figure slinks across the collage, one hand in front of her one behind. She's wearing blue and lavender pants, and a forest and mint green shirt. She has yellow skin and orange hair.
      Marbie, DRAFFING ON, 2023
    • a figure dances across the collage frame, wearing forest and mint green pants, a black top and purple boots. her orange hands flail out in a triangle as she looks behind herself to the left side of the collage.
      Marbie, FLOW, 2023
    • a busty figure kneels or jumps in the air, one knee tucked into her chest, the other beneath her. Her left arm, behind her, forms a right angle, her hand pointing to the sky. The fingers of the right arm point down, her arm straightened.
      Marbie, POWER, 2023
    • A paper figure on a beige background seems to dance, one leg in the hair behind her, her arms stretched above and below her head with palms spread wide. She wears blue pants, black boots, green shirt, and has orange hair and purple skin.
      Marbie, WOUND UP, 2023
  • Marbie in her home studio, her paintings in the background

     Hashimoto Contemporary is pleased to present Good Love is Hard to Find, a solo exhibition by Oakland-based artist Marbie. Continuing to draw inspiration from her friends and lovers through this collection of vibrant new collages and paintings, this is the multidisciplinary artist’s second solo presentation with the gallery.

     

    Best known as a professional skateboarder with There Skateboards, Marbie’s work bridges the gap between a life in the public eye and one behind closed doors, depicting intimate scenes of solitude or unity. Each piece portrays a character based on people in the artist’s life, who she renders in bold hues, the shapes and colors symbolizing an emotion or mood from a memory she wants to suspend in time. Her newest work focuses on sentiments that surface through the pursuit of romance, “from falling for someone and fantasizing about them to feeling scared or heartbroken.” These works locate a sense of extreme yearning or lust between the characters, who are about to caress one another or find themselves already in the throes of passion. 

     

    No stranger to movement in her skateboarding life, Marbie fills each work with motion and gesture, showing the figures jumping, tumbling, dancing, or embracing—an arm, leg, or torso is entwined with another body part. Even alone, the characters seem to swing or leap across the frame, as though the artist has captured them wantonly on the way to their next date. On these recent works, Marbie states she’s “trying to capture all the emotions of dating again, like the dance of trying to impress someone or feeling insecure. Love is fun and scary. It’s tough being vulnerable, but worth it.”

New York City:

54 Ludlow St.

New York, NY 10002

San Francisco:

Minnesota Street Project

1275 Minnesota St. 

San Francisco, CA 94107

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